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Mark Hanson Biographical Information

Early Training
I studied piano and clarinet as a youngster in Minnesota, and sang with my family and in numerous choirs through high school. Playing those instruments and singing provided me with performance experience and exposure to great repertoire. It also proved to be a great training ground for learning to speak and read (and play!) the language of music.

Influences
I started guitar by borrowing my sister's Sears Silvertone acoustic and imitating Peter, Paul & Mary, Pete Seeger, and Kingston Trio records. I also played guitars with the kid who lived over the back fence, performing for hospital patients and church groups.

At that point the Beatles arrived, and guitar became my main non-basketball focus. Our duo turned into a junior high rock and roll band, where I learned to play barre chords and keep a steady tempo. (I joke with my adult students who can't play barre chords that they need to join a middle school rock band for six months. After that they should spend six months with a marching band to learn to avoid rushing the tempo!)

Acoustic pop players influenced me considerably during the '60s: Paul Simon, Stephen Stills, the Beatles and James Taylor. That led to the British greats John Renbourn and Bert Jansch, Chicago blues icon Big Bill Broonzy, and eventually a lasting appreciation for the late jazz virtuoso Joe Pass.

Education
I received my college degree in music from Stanford in the mid-70s, and commenced on my teaching/performing career. I look back at all of this time as my apprenticeship, preparing me to compose, arrange, perform, and teach. Every hour I spent on music, whether it was studying Bach and Beethoven or lifting fingerpicking licks off records, was educational and worthwhile.

First Book
I wrote my first book, The Art of Contemporary Travis Picking, in 1985. Years of private teaching had clearly defined my teaching method for alternating-thumb fingerpicking, so Greta and I started Accent On Music and published our first book. Merle Travis himself graciously consented to us using his name in the title.

Frets Magazine
About this time I began writing for Frets Magazine, and eventually was hired as an assistant editor in 1986. My position at Frets trained me to write clearly, provided an insider's view of the publishing business, and gained me a great Rolodex. I interviewed and wrote cover stories on James Taylor, David Crosby, Leo Kottke, and many other luminaries in the acoustic guitar field. I became a monthly columnist at Frets, providing transcriptions and compositions for fingerstyle guitarists.

After Frets
When Frets was discontinued in 1989, Greta and I continued with Accent On Music. We had published my follow up Travis Picking book, The Art of Solo Fingerpicking. In the ensuing years I have authored many books, videos and DVDs. You can see them listed here.

Greta and I started our annual summer seminar in Portland, Oregon in 1998, and are happy to report that it continues with a strong core of supporters. Information on past seminars can be viewed here.

The Grammy Award
A great thing occurred in 2004/2005. I was included in the Grammy winning Henry Mancini - Pink Guitar CD from Solid Air Records. The Grammy experience included a trip to the awards ceremony in L.A., and a handshake with Cyndi Lauper, our presenter. I wrote a blow-by-blow article about that amazing journey, which you can read here.

New Projects
I continually develop new material for performance and teaching use. Solid Air Records released two solo CDs of mine in 2009. Some of my best, finger-busting arrangements are on these recordings, including the jazz standards "Take the 'A' Train" and "Angel Eyes", and pop tunes like "Breakdown" and "Best of My Love." A transcription book of the jazz standards is found here. Also, my Fingerstyle Arranging DVD is a relatively new release.

On the Road
I have presented concerts and workshops around the country for over 20 years now. I have a workshop repertoire of over two dozen topics, which makes it possible for me to visit the same venue numerous times without boring the repeat students! If you want me to come to your area, please contact me and send me an invitation!

Thanks for taking the time to read.

- Mark Hanson (revised November, 2012)